At first the Infant, mewling and puking in the nurse's arms. Then the whining Schoolboy, with his satchel and shining morning face, creeping like snail unwillingly to school. And then the Lover, Sighing like a furnace, with a woeful ballad made to mistress' eyebrow. Then a Soldier, Full of strange oaths, and bearded like the pard, jealous in honour, sudden and quick in quarrel, seeking the bubble reputation even in the cannon's mouth. And then the Justice, in fair round belly with good capon lined, with eyes severe and beard of formal cut, full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered Pantaloon, with spectacles on nose and pouch on side, his youthful hose, well saved, a world too wide, For his shrunk shank; and his big manly voice, turning again towards the childish treble, pipes and whistles in his sound.
Last scene of all, that ends this strange eventful history, is Second Childishness and mere oblivion, sans teeth, sans eyes, sans taste, sans everything.
William Shakespeare: As You Like It: Act II, Scene VII


Confucius: Analects, 2:4
Source: Jonathan Spence, Confucian Ways. BBC Reith Lecture, London. May 14, 2008.

The third stage is Vanaprastha, incremental retirement and contemplation. The final stage, rarely undertaken now, is Sannyasa, a radical renunciation of family, work, community and all material trappings of life. The elder may choose to roam as a Sadhu or holy man.
